Shagwell Turns Pro - Heather Graham Interview

Submitted by Paul Fischer on Fri, 02/01/2002 - 01:15
Heather Graham in From Hell

Whether it's shagging Austin Powers, enjoying a bit on the side with ex-boyfriend Ed Burns in Sidewalks Of New York, or having dangerous liaisons with Johnny Depp in her latest film, From Hell, Heather Graham certainly has been hard at it.

Graham talked to Paul Fischer, about Austin Powers 3, ex-boyfriends, and her hellish new movie.

Heather Graham is all set to get down-and-groovy in the next Austin Powers movie, Goldmember, but there is a condition.

"As long as they don't blow me up, I'm interested in showing up again," says the 31-year old actress who played CIA Agent Felicity Shagwell  in Austin Powers: The Spy Who Shagged Me.

If Austin Powers In Goldmember, to film this year for release next summer, sticks to pattern, Felicity will be sidelined to make room for a new partner for Powers (Mike Myers). "Hopefully I can go out in some flashy fun way," Graham says. "I'm not going to perish. I'm not going back to it if it means perishing."

Graham hasn't yet read the script but has heard Goldmember will be set in the 1970s and Power's new love match will be a black woman with a big afro.

Ms Graham, prettily dressed in a lemon outfit, recalls spending a restless night after reading the script for the new Jack The Ripper movie From Hell, in which she plays a prostitute.

Johnny Depp in From Hell
Johnny Depp's diabolical villain is wealthy and handsome, but needs help with the girls

"I was really terrified and I was in my house alone and I was waking up throughout the night just like petrified that someone would come in my room," says Graham, who stars as Mary Kelly, the prostitute believed to be the infamous English serial killer's final victim.

But once on the Prague set last year, cast and crew spent more time laughing like hell, the 31-year-old actress recalls.

Despite the subject matter, the working atmosphere was kept light, largely due to the film's co-directors, twin brothers Allen and Albert Hughes.

"They showed us all the (prop) bodies and it was just that we were so excited about it. 'Hey, look at this body. Wow, cool.' It was all like a little adventure we were on. It didn't seem so horrific," Graham said. 

Although some of the butchery is graphically depicted, From Hell is less a horror movie and more of a murder mystery and social study of the terrible poverty of the 19th-century English underclass.

"There's definitely gore in there for those people who like horror movies, but it's not like a sit on the edge of your seat 'Ah! Ah!'" said Graham, who was also attracted to the project by the prostitute's spirit and camaraderie. I think (my character is) actually really brave and strong that (she) could survive in those conditions. The conditions were so bad.  It wasn't like as in today's society, someone might choose to be a prostitute to make more money or they might work at Burger King.  Women then didn't have those choices."

Which is why, if she chose to live in another time, 1888 London would not be her first choice. "I think the furthest back I'd want to go is the seventies," she says laughingly. "It was a great time for women then."

From Hell was shot on location in Prague, at the same time A Knight's Tale was in production. It was there that she met ex-boyfriend Heath Ledger.

"It was a great time, we all kind of clicked as a group trying to get through our respective jobs in this strange country."

Graham, who has also had high-profile romances with actors James Woods and Ed Burns, is single for now. 

"I don't have a new boyfriend. I wish I could give you some interesting gossip but no." 

Graham will next be seen on screen opposite ex-boyfriend Burns in Sidewalks of New York, the release of which was put on hold after the September 11 attacks. 

"It was kind of weird seeing that movie after Ed and I broke up, but he was great to work with and he handed me a wonderful role." She's relieved the film will finally see the light of day. "I think it's a good film that deserves to be seen."

Filmmaking