The 16-day Vancouver International Film Festival gets underway on 1st October. If previous years are anything to go by, you can expect a programme bursting at the seams with world cinema, documentary, music and arthouse work from across the globe. In particular, with the Earth Summit in Copenhagen coming in December, expect festival artistic director Alan Franey to field a strand of hard-hitting environmental documentaries when the full VIFF programme goes live on 12th September.
Vancouver, Canada – The programme for the 24th Vancouver Film & TV Forum (29 Sept - 2 Oct, 2009) along with New Filmmakers’ Day on 3 Oct, has been announced. Among the highlights of the five day industry and educational event will be a masterclass with non-linear Hollywood scribe Charlie Kaufman.
Sci-fi movies have become increasingly indistinguishable from standard action movies with their big bangs, superheroes, and battles with hostile aliens or murderous machines.
Moon comes from that tradition where space provides a wilderness setting for the exploration of the condition of man. Instead of special-effect whizz-bangs, it offers a quietly impressive and thought-provoking story that in its look and theme pays homage to classics like 2001: A Space Odyssey and Solaris.
I wanted to like this as it's the opening film at the Edinburgh Film Festival. However, it started slowly and, well, didn't really get going.
There's been big changes in video since Adobe announced the release, two years ago, of Creative Suite 3 (CS3). Even in the months since Adobe released its moving-image editing suite Production Premium CS4, things have moved along apace in videoland. High resolution video has become ubiquitous across the web, from Old Media newspaper web sites to bedroom vloggers.
Laurent Cantet’s French language feature The Class (Entre Les Murs) won the Palme d'Or, the top prize, at the Cannes Film Festival in the Summer.
The 63rd Edinburgh International Film Festival, kicking off at Cineworld on 17 June with Sam Mendes comedy Away We Go, will showcase 135 features from 33 countries over ten days to 28 June.
David Fincher’s latest is a memorable and beautifully told story about a man who goes through life in a reverse way to everybody else. Benjamin Button (Brad Pitt) is born as a baby looking old. We are shown the delinquent father (Jason Flemying) at the beginning, carrying a baby with the precise aim of leaving him in someone else’s doorway, wanting to abandon his child and leave him for someone else to bring up.
The Black Balloon is a mid-teen, coming-of-age drama. Thomas (Rhys Wakefield) is desperate to fit in and meet girls at his new school in Sydney, but he suffers embarrassment about his autistic brother Charlie who he wishes was just like normal kids. A budding romance with attractive and spirited Jackie (Gemma Ward), who is on his swimming class, helps Thomas learn about acceptance and worth.
Few years that started with everyone feeling as apparently miserable as we do now. But for a moment let's forget the gloom and doom, the stock market crashes, the housing debacle, the horrendous unemployment figures. After all, most independent filmmakers have been here before, when the times were supposed to be good. It's part of the job description.